I was so excited to talk about our great company technique class in my last post, I didn’t even mention that we still got some great new work done on dances with Dear Nature in the weekend rehearsal. All the dancers learned the movement material that will accompany another of Jessica Temple’s poems (Gregarious), and the class phrases will be used in a solo for Christina during Sun Kiss. (We also reviewed “Ocean” and “Phrase in 3′s.”
So, on to Week 4! This week was mostly about filling in the missing pieces or details of the work. Once I pieced together Christina’s solo from phrase-work she already knew and gave our Gregarious material its spacing, the dancers knew almost the entire piece. What was missing were all the transitions and having the dancers really understand the flow and scope of the work. They knew all the parts but did not know how they fit together (mostly because I did not know how they fit together until this week as well).
We review all the material as I start to give the dancers the order and deal with the details of getting dancers on and off “stage” – knowing we are working in a space with no wings or “backstage.” The dancers are essentially onstage even when I take them out of the performance space, so that needed to be dealt with, as well. These are somewhat the “boring” details of the dance-making process, but once complete, we are able to see the whole work very close to performance-ready, and that is exciting!
This week I also started the costuming process. While I’ve had ideas about costuming since before even starting rehearsals with the dancers, those original ideas have changed a bit (necessitated by the movement vocabulary), and until this week, I had not tried out any costume ideas of the dancers. So we test out a few dresses, a few skirts, and some crinolines and tutus. What have I decided on? Well, you’ll just have to wait until the premiere next week to see!
(Code f.a.d. Artistic Director)
above: rehearsal photos with “stand-in” costumes